I NEED TO GET OUT OF HERE and into that office across the hall, cover me!
The shooting pours out behind thick nauseating smoke from lit tires stacks all around. A few of the trigger-squeezers on automatic weapon are middle-aged, the wide galvanized steel pipe mortar canon shooters were the more corpulent of the younger forces and practically none them are actually old. Some of the rest are young; many are just boys and butch girls. The kids the (Asociación para la Prevención y Erradicación de la Violencia) APREV had brought in from the slums to run around, chuck contact bombs and shoot rocks with slingshots at the cops. They were for the most part the front-line rioters—dark-skinned gang members—in their teens and twenties.
Since what seemed like forever, the local broadcast news reports, ushered by fanfares of fist responder-themed buzzes and loud police sirens, with their spectacularly commonplace ÚLTIMA HORA logos that would toggle around against a red backdrop and were simultaneously redundant in the CGC tickers that ran from left to right on most Nicaraguans’ TVs at home.
Since long before this round of riots began at last, after years of silence and resignation. No one can possibly know what the hell is going on, but it’s game time, time to put Nicaragua back on the map and to liberate our people from the dictator! You get your picture taken, maybe move around aesthetically on some b‑roll for the foreign press, and let someone in political science burn their mouth off in the foreground—or perhaps a journalism student. Tidy up around here, we need to look heroic. Someone please pick up these rubbers, throw away those broken bottles and the crushed crack pipes, and those empty little [cocaine] bags, too. Hurry the fuck up! CNN is supposed to be here soon.
There was a dead body just off the sidewalk to building E. A drunk girl in second year of graphic design got nervous when she saw someone she doesn’t know jumping the fence and she shot them in the head, by mistake. The girl’s finger clenched on the Makarov trigger when she was trying to open her trembling mouth to yell. And some mean asshole dragged it in to make everyone feel like shit, or go psycho.
Author and digital mediascape artist. CONTACT FOR WORKS AND COMMISSIONS. Published poetry collections include: Conflagración Caribe (Poetry, 2007), the limited edition Nicaraguan memoir Poetas Pequeños Dioses (2006), Novísimos: Poetas Nicaragüenses del Tercer Milenio (2006) and 4M3R1C4 Novísima Poesía Latinoamericana (2010). And for the time being, The Hyacinth: An On-going Nat Sec Story (literary fiction), is in the process of being written, the work touches on a variety of themes that include global trafficking, surveillance capitalism, hysterical depravity, mind control, criminal tyranny, economic coercion, racist astroturfing, whacktivism, online disruption, gag warfare, proxy terrorism, deepfake attacks, 21st Century slavery, Et al.
© 2023 — Álvaro VERGARA, All Rights Reserved.