A VIDEO EDI­TOR that spe­cial­izes in nar­ra­tol­ogy and semi­otics, is to assert in this text, that I thrive on the valu­able use of cin­e­mat­ic sto­ry-telling and visu­al lan­guage. You may need is to dis­play brochure items, or an e‑commerce inven­to­ry in a self-con­tained video pre­sen­ta­tion, or as a col­lec­tion of dif­fer­ent items in an inter­ac­tive web­site expe­ri­ence, wed­ding high­lights that do jus­tice to the occa­sion. It could be that you have tak­en it upon your­self to start a new web series and you want to focus on a com­plete­ly dif­fer­ent skill set that has noth­ing to do with post-production.

Some­times the poet­ry in a video is lit­tle more than a pho­to­graph that moves for a sec­ond, and is meant to be noth­ing more than a breath of air that fades into an out­go­ing vignette on Tik­Tok. Some­times it’s a news sto­ry on YouTube, and oth­ers, an orig­i­nal indie film on vimeo, I can help you focus on pro­duc­tion and direct­ing your on-cam­era per­for­mances. Tell your sto­ry bet­ter than you could have ever Imag­ined by del­e­gat­ing, regard­less if there’s a long and Byzan­tine plot rich in nuances that keeps view­ers guess­ing, or when all you have is the blink of an eye.

I aim to pro­vide col­lab­o­ra­tive video edit­ing ser­vices that cre­ate lim­it­less pos­si­bil­i­ties for your brand iden­ti­ty and cin­e­matog­ra­phy alike.

Oth­er ele­ments like musi­cal score, tone, col­or­ing, pac­ing, and seiz­ing the best cuts and takes that source cin­e­matog­ra­phy has to offer, are very much tak­en into account on a per-project basis and applied on pro­found con­sid­er­a­tions, because there are moments per­haps when a dis­so­nance is the only way to con­vey a mes­sage. Anoth­er abil­i­ty that I offer clients is speech cor­rec­tion that blends dia­logue and voice-overs that extend for too long in dif­fer­ent direc­tions or include awk­ward paus­es, into units that improve view­er experience.