À ce moment-là, Harley entendit quelque chose accélérer et freiner brusquement ; c’était une Hilux de la police. Deux flics sautèrent du plateau du camion avec des armes et se dirigèrent vers lui et Shauna.
SONGS OF DISSENT: RESISTANCE, DISILLUSIONMENT, AND REFLECTION IN SOMOCISTAS 78, SANDINISTAS 88 & ASI ESTAMOS DON TOÑO
As far as the form of this poetry, it deviates radically from the poet’s more classical style, in the sense that the modernist and postrubendarian metrics shift towards more contemporary archetypes.
CANTO AL VIENTO BEFORE THE MYSTERIES OF POETRY AND LIFE
This medieval form of French origin is seldom used in poetry, and in this case, it is employed more in the manner of Robert Frost’s than as a forgotten troubadour.
THOROUGHFARES BETWEEN LUIS ALBERTO CABRALES’ ‘PRIMER AGUACERO’ AND ARISTIDES ACOSTA GONZÁLEZ’ “PUETAS”
These poems, though distinct in their themes and tones, share a common motivation in challenging the reader to confront the mystery of poetry and unraveling understandings perceived to be conventional in all language.
二进制吟游诗人 SAY IT’S 光子迷航者
Within this shadow-laden theatre, Èr Jìnzhì Yínyóu Shīrén, a clandestine maestro, passionately disavowed any involvement in the burgeoning ‘scamdemic’ coursing through the veins of Southeast Asia.
[MEZHEVEN RUZ] KEMMANDEG 8 : MARV ER NOZ
Erwan GOURVENNEC zo gant e wreg Florence, o vont d’ober anaoudegezh e‑barzh o ti. He deus eet gant he a‑bezh e ti broudhegezh, hag he deus eet da vout gant he.
SEMIOTIC ÉPHÉMÈRA AND DIGITAL DISCOURSE: A DERRIDEAN EXPLORATION OF SENSORIAL SUBVERSION AND EXISTENTIAL UNSETTLEDNESS IN AN DROCHAID
The brevity of their communication, the limitations of digital realm, mirrors the fragmentary nature of language, leaving signs unspoken, and deferred.
ECHOES OF DRACONIAN VOIDS
In the aftermath, I chanced on an enigmatic guide, an arcane tome purporting to harbor the confidential means of emancipating one’s mind from the unseen yoke.
THE TRAGEDY OF DIEGO RODRIGUEZ IN THE RUBENIA OVERPASS
[H]e believed himself to be a puppeteer to the mélange of beleaguered students, MS-13 gangbangers and CIA assets that had taken UPOLI’s campus, weaving a complex web of deep supply lines and conspiracy.
SNAKE OIL: First Stanza
Someone please get rid of these rubbers, throw away the broken bottles and crushed crack pipes, and those empty [cocaine] bags, too. Let’s go! CNN is going to be here soon.
PLAGIO Y CATARSIS SOCIÓPATA EN LOS PORTALES DEL LIMBO DE IRVING CORDERO
La experiencia intimista hecha grisáceo sufrimiento, remembra un placer en constante amargura que de repente se agita rabiosamente. Un ser extravagante y fantasioso versifica con la sangre de sus propias heridas rituales
Police Noir in Sergio Ramírez’ Ya nadie llora por mí
Soto, backwards can be deconstructed in a syntagmatic formula that reads zero‑t (cerote, turd in Nicaraguan Spanish) and the os translates to sicle as in the hammer and the sicle.
In the Air Tonight
The world had ended she was sure of it, she had been floating peacefully when an earthquake of insane proportions had the earth’s core spitting fire into the heavens and completely annihilated Managua and the world.
Psicoanalisis de El Túnel
Según Freud “la introversión denota el rechazo de la libido de posibilidades de satisfacción verdadera y la hipercatexis de fantasías hasta el momento habían sido toleradas por ser inocentes”.
Poet-Tree Willow
That same time for New Year I pass by she mama church an de roquita recognize me, and find de devil in me eye. I de feel curse from when I was foolish.
A los Rama
Somoza, en fácil recurso al latifundio, incitó campesinos, en hogueras kilométricas alimentadas por cuerpos faunos e inmensas caobas. El golfo paría proyectiles, cañones, alambradas, silencio marcial y una pista aérea.
Author. Published poetry collections include: Conflagración Caribe (Poetry, 2007), the limited edition Nicaraguan memoir Poetas Pequeños Dioses (2006), Novísimos: Poetas Nicaragüenses del Tercer Milenio (2006) and 4M3R1C4 Novísima Poesía Latinoamericana (2010). CURRENTLY SEEKING REPRESENTATION to publish the first two novels in THE HYACINTH: AN ON-GOING NAT SEC STORY series: EPISODE ONE: RED SNAPPER AND EPISODE TWO: LA CHUKA. This literary fiction series, set in post-revolutionary Nicaragua, explores themes of global trafficking, surveillance capitalism, mental tyranny, economic coercion, racist astroturfing, online disruption, gag warfare, proxy terrorism, deepfake attacks, 21st-century slavery, Et al. 
© 2025 — Álvaro VERGARA, All Rights Reserved.